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Cornered

Essence of Bohemian
Paintings by Perri Sparks
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Materials List
Recommended for Travel
Mexico Workshop with Perrin Sparks
Please scroll down for materials
list for classes on Quadra Island
Art supplies are highly individualistic. Please use this
simply as a set of suggestions. I’ll point out items you will need to
have, but there is a lot of latitude in all of the following. I’m always
trying something new myself, but I do have a few old standbys. We’ll
probably need to schedule an afternoon visit on the first day to the
local supply shops where we can buy needed items and check out the
market scenes. Having not been here before, this will be an adventure,
but our local contacts assure us this is quite the spot that attracts
other artists, so I’m sure there will be local solutions. Most folks,
including yours truly, bring way too much stuff.
Easel: A “Julian” type
easel works well, as do the “pouschade” box easels that screw into a
photographer’s tri-pod. There are more models on the market each year.
All are advertised in the art magazines and art catalogues. I’ve used a
Windsor/Newton fold-up metal easel with telescoping legs that works
well, particularly as it’s so light (a major factor in all my packing
decisions. Be sure that the working surface can be arranged so that it
is perpendicular to the floor, not on a slant or flat like you might use
if you were working on watercolor. If you can even tip it so the artwork
tips forward, you keep the downward sifting pastel from falling back on
the paper, or it can diminish glare on the wet paint. Currently I’m
using an Art Box (Art Box and Panel Co, 59 East 6th
St., Scottsdale, AZ (480) 970-3249) that I’ve modified slightly so I can
slip in a paste tray or a glass paint pallet. I have a small watercolor
sketch kit and a similar gouache kit I often use and tear off pads of
watercolor paper.
Backboard: I bring along a
16” x 22” piece of black Gator board, about 3/8” thick (it fits in
overhead carrier). One side is covered with black closed cell foam (the
blue, thinner yoga mats without the pebbly surface work well) on which I
attach my pastel paper. I use this padded support, as it allows for a
richer mark. The other side is used to tape down my oil supports. I use
“banker clips” to attach the paper to the foam backboard (found at any
stationary store-get the large size)
Paints and brushes and/or pastels:
For the pastel painters, I’d recommend a set of
Nupastels, then selections from a variety of sets. I prefer the Unison,
and American Pastels to the Sennellier or the Schminke, but there are
lovely colors in all of them. I keep my travel pastels in a 3-tray
Artbin, sorted by color. For travel purposes, I really like to use the
new Max water-soluble oil paints. However, I do not mix them with water
to paint. You can also mix them with your regular oil paints. I work
with flats or brights or filberts in both sable and bristle, in sizes
from about 1” on down. I also like some of the new less expensive
substitutes and I always pack one small #1 detail sable round brush and
a rigger.
Soft vine charcoal, kneaded eraser, newsprint
or sketch paper (5-10 sheets minimum).
A pair of
proportional dividers. I
use the “Prospek” dividers found in the
Dick Blick or
Jerry’s Artarama
catalogues (about $5). So few suppliers carry them, they are often
backordered. I may have enough to bring or we’ll share the ones I have.
No Turpentine, only
turp substitutes such as
“Safe-Solve”, however, you won’t be able to travel with solvents, so we
will need to purchase this locally.
Work surfaces such as
Canson Mi-tientes paper (steel grey or felt grey). I don’t use fixative,
but keep wax sheets for stacking finished work. For the oil painters, we
may use as many as 2 or 3 surfaces per day, particularly if we paint in
several different locations plein-aire. You could bring canvas boards
(bring a few that are at least as large as 16 x 20 approx.), canvas
pads, or acid-free paper gessoed that I tape to a foam core backboard -
all of which I prefer to using stretched canvas. Keep in mind you will
have to transport wet canvases from the site back to your room.
I’ll bring an aluminum
mahl stick that breaks
into 3 sections. And I will probably pack my
travel stool--a fold-up aluminum chair that serves
as a carryall. Some might pack an
umbrella, but for sure
bring a broad brimmed
hat and
sunscreen! I’m sure we can
pick up needed supplies such as paper towels once we get there, but I’m
a Viva paper towel freak, so I’ll probably tuck a few someplace.
As we get closer to departure date, we will provide any necessary
updates to this list.
Questions: Call or e-mail Nanci Cook (250) 285-3105 or
info@firesignartanddesign.com.
If she can’t answer your questions, give me a holler: Perri Sparks (250)
285-2474 or e-mail to: perri@perrinsparks.com.
Steps to a Likeness
Perri
Sparks Portraiture Classes and Workshops
Materials List
If using pastels:
- I use Nupastels primarily, but I also supplement my basic
set with pastels by Grumbacher, Sennilier, Unison, Schimenke, Great
American, or LaTour.
If painting:
- My oil/acrylic palette is fairly simple: Alizarin Crimson, Cadmium
Red, Yellow Ochre, Cad. Yellow, Sap Green, Cerulean Blue, Ultramarine
Blue, Prussian Blue, Ivory Black, Titanium White.
- Brushes (I prefer filberts and brights in both bristle and sable
plus one really good small round sable)
- Liquin (or similar medium)
- Solvents (NO TOXIC SOLVENTS, PLEASE! bring Turpenoid, Safesolve,
odorless mineral spirits or similar substitutes.
Other stuff:
- Several sticks of soft Vine Charcoal (not charcoal pencil)
- kneaded eraser
- 3 or 4 large sheets of sketch paper.
- An appropriate surface dependant on you choice of medium 16
x 20 or larger: (stretched canvas, canvas boards, gessoed paper,
charcoal or pastel paper (for pastel, I prefer Canson Mi-Teintes -
steel grey or a similar mid-grey tone). Do not pre-tone your canvas, I
will show you a nice quick method in class.
- Wooden/foamcore/masonite or similar backboard support. Please
bring padding such as 4 or 5 sheets of newsprint or thin foam if
working on pastel paper.
- Free standing portable easel or French easel. (several will
be available, but if you have a favorite, please bring it along)
- (Optional but helpful) A set of calipers or proportional dividers
(I prefer the $5.95 “Prospek” proportional dividers in the Jerry’s
Artarama catalogue). Please don’t go out and purchase expensive
calipers, a variety of substitutes can work as well.
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Perri's
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